Today the spotlight is on the extremely talented and generous author, A.B. Funkhauser and her latest novel,
Heuer
Book Description
Unrepentant cooze hound lawyer Jürgen Heuer dies suddenly and unexpectedly in his litter-strewn home. Undiscovered, he rages against God, Nazis, deep fryers and analogous women who disappoint him.
At last found, he is delivered to Weibigand Brothers Funeral Home, a ramshackle establishment peopled with above average eccentrics, including boozy Enid, a former girl friend with serious denial issues. With her help and the help of a wise cracking spirit guide, Heuer will try to move on to the next plane. But before he can do this, he must endure an inept embalming, feral whispers, and Enid’s flawed recollections of their murky past.
Is it really worth it?
“Heuer” as in “lawyer”: Heuer the Lawyer
Here is a short excerpt:
Two Weeks Ago
The house, like the man who lived in it, was remarkable: a 1950s clapboard-brick number with a metal garage door that needed serious painting. Likewise, the windows, which had been replaced once in the Seventies under some home improvement program, then never again. They were wooden and they were cracked, allowing wasps and other insects inside.
This was of little consequence to him.
The neighbors, whom Heuer prodigiously ignored, would stare at the place. Greek, Italian, and house proud, they found the man’s disdain for his own home objectionable. He could see it on their faces when he looked out at them through dirty windows.
To hell with them.
If the neighbors disapproved of the moss green roof with its tar shingles that habitually blew off, then let them replace it. Money didn’t fall from the sky and if it did, he wouldn’t spend it on improvements to please strangers.
They were insects.
And yet there were times when Jürgen Heuer was forced to compromise. Money, he learned, could solve just about anything. But not where the willful and the pernicious were concerned. These, once singled out, required special attention.
Alfons Vermiglia, the Genovese neighbor next door, had taken great offense to his acacia tree, a towering twenty-five foot behemoth that had grown from a cutting given to him by a lodge brother. The acacia was esteemed in Masonic lore appearing often in ritual, rendering it so much more than just mere tree. In practical terms, it provided relief, offering shade on hot days to the little things beneath it. And it bloomed semi-annually, whimsically releasing a preponderance of white petals that carried on the wind mystical scent—the same found in sacred incense and parfums.
What horseshit.
It was a dirty son of a bitch of a tree that dropped its leaves continuously from spring to fall, shedding tiny branches from its diffident margins. These were covered in nasty little thorns that damaged vinyl pool liners and soft feet alike. They also did a pretty amazing job of clogging Alfons’ pool filter, turning his twenty-five hundred gallon toy pool green overnight.
This chemistry compromised the neighbor’s pleasure and it heightened his passions, blinding Alfons to the true nature of his enemy. He crossed over onto Heuer’s property and drove copper nails into the root system. It was an old trick, Byzantine in its treachery; the copper would kill the tree slowly over time leading no one to suspect foul play.
But Heuer was cagey and suspicious by nature, so when the tree displayed signs of failure, he knew where to look.
The acacia recovered and Alfons said nothing. Heuer planted aralia—the “Devil’s Walking Stick”—along the fence line and this served as an even thornier reminder that he knew. And if there was any doubt at all, he went further by coating his neighbor’s corkscrew hazel with a generous dose of Wipe Out.
Intrusive neighbors and their misplaced curiosities were, by turns, annoying and amusing and their interest, though unwanted, did not go unappreciated. The Greeks on the other side of him weren’t combative in the least and they offered gardening advice whenever they caught him out of doors. The man, Panos, talked politics and cars, and expressed interest in the vehicle that sat shrouded and silent on Heuer’s driveway. He spoke long and colorfully about the glory days of Detroit muscle cars and how it all got bungled and bargained away.
“They sacrificed an industry to please a bunch of big mouths in Hollywood,” Panos would rant in complete disregard for history: Al Gore and Global Warming didn’t kill the GTO; the OPEC oil crisis did. But there was no point in telling him that.
Panos was an armchair car guy and incurable conspiracy theorist. He also kept to his side of the fence, unlike his wife, Stavroula, who was driven by natural instinct. Not content to leave an unmarried man alone, she routinely crossed Heuer’s weedy lawn, banging on the door with offers of food and a good housecleaning.
Heuer had no trouble accepting her cooking. But he declined her brush and broom. Was it kindness, or was she trying to see inside? He suspected the latter.
No one was ever seen entering Heuer’s house and while this piqued public interest, he never gave in, not even to those who were kind to him. He liked Panos and Stavroula and he regretted poisoning their cat.
But not enough to let them in to his home.
Others on the street had less contact with him. Canvassers at election time would disturb him, in spite of the lawn sign warning the solicitous away. That this didn’t apply to neighbor kids brave enough to pedal cookies and magazine subscriptions in spite of the sign, was a testament, perhaps, to some residual soft spot in his heart that endured.
Even so, he knew that people talked about him and, frankly, he had trouble accounting for their fascination. Short, curt, bespectacled, he courted an ethos that favored enforced detachment. When people got close enough to hear him speak, they detected a trace of an accent. Now faded after years of U.S. residency, his speech still bore the unmistakable patterns of someone undeniably foreign. Elaborate, overwrought and heavy on the adverbs, he spoke very much like his neighbors. Yet the distance between them was incalculable…
About the Author
A.B. Funkhauser is a funeral
director, classic car nut and wildlife enthusiast living in Ontario, Canada.
Like most funeral directors, she is governed by a strong sense of altruism
fueled by the belief that life chooses us and we not it.
“Were it not for the calling, I
would have just as likely remained an office assistant shuffling files around,
and would have been happy doing so.”
Life had another plan. After a long
day at the funeral home in the waning months of winter 2010, she looked down
the long hall joining the director’s office to the back door leading three
steps up and out into the parking lot. At that moment a thought occurred: What
if a slightly life-challenged mortician tripped over her man shoes and landed
squarely on her posterior, only to learn that someone she once knew and cared
about had died, and that she was next on the staff roster to care for his
remains?
Like funeral directing, the writing
called, and four years and several drafts later, Heuer Lost and Found was born.
What’s a Heuer? Beyond a word
rhyming with “lawyer,” Heuer the lawyer is a man conflicted. Complex, layered,
and very dead, he counts on the ministrations of the funeral director to set
him free. A labor of love and a quintessential muse, Heuer has gone on to
inspire four other full length works and over a dozen short stories.
“To my husband John and my children
Adam and Melina, I owe thanks for the encouragement, the support, and the
belief that what I was doing was as important as anything I’ve tackled before
at work or in art.”
Funkhauser is currently working on
a new manuscript begun in November during NaNoWriMo 2014.
You can find out loads more about A.B. here:
PRAISE
“The macabre black comedy Heuer Lost And Found, written by A.B. Funkhauser, is definitely a different sort of book! You will enjoy this book with its mixture of horror and humour.”
—Diana Harrison, Author ALWAYS AND FOREVER
“This beautifully written, quirky, sad, but also often humorous story of Heuer and Enid gives us a glimpse into the fascinating, closed world of the funeral director.”
—Yvonne Hess, Charter Member, The Brooklin 7
“The book runs the gamut of emotions. One minute you want to cry for the characters, the next you are uncontrollably laughing out loud, and your husband is looking at you like you lost your mind, at least mine did.”
“The writing style is racy with no words wasted.”
—David K. Bryant, Author TREAD CAREFULLY ON THE SEA
“For a story centered around death, it is full of life.”
—Rocky Rochford, Author RISE OF ELOHIM CHRONICLES
“Like Breaking Bad’s Walter White, Heuer is not a likeable man, but I somehow found myself rooting for him. A strange, complicated character.”
—Kasey Balko, Pickering, Ontario
Raw, clever, organic, intriguing and morbid at the same … breathing life and laughter into a world of death.
—Josie Montano, Author VEILED SECRETS
